Television Review: "Monsters of God" Unveils Hidden World of Illegal Reptile Trade, Where True Crime Meets Environmental Horror

BOSTON'S PREMIER ONLINE ARTS MAGAZINE, where the world of art and culture meets insightful storytelling, dives into the intriguing world of HBO's docuseries "Monsters of God," a gripping exploration of the clandestine international reptile trade. The series delves into the lives of reptile enthusiasts turned illicit traders, who find themselves entangled with cocaine smuggling and organized crime groups, leading to a true-crime story of epic proportions.

The early 2000s saw the discovery of an enormous prehistoric creature in my hometown, an event that left a lasting impact on the ecosystem and the local community. A 100-pound alligator snapping turtle, affectionately named Old Bob, was unearthed from the depths of a drained lake and later confirmed to be a pet that was abandoned in the 1950s. The circumstances surrounding Old Bob's discovery raise questions about the treatment of exotic animals, often viewed as mere entertainment for the wealthy, rather than as living beings that deserve respect and protection.

As I watched "Monsters of God," I was transported back to Old Bob's story, serving as a poignant reminder of the dark underbelly of the reptile trade. Unlike "Tiger King," the new docuseries takes a more measured approach, focusing on the sinister world of reptile smuggling, cocaine trafficking, and gang violence that often accompanies it. Instead, the series paints a grim picture of a world devoid of excitement, where reptile enthusiasts turned traders become entangled in a web of crime that ultimately leads to the animals' suffering.

The series' protagonist, Tom Crutchfield, and his mentor, Hank Molt, are introduced as the masterminds behind the early days of reptile trading, which ultimately led to the downfall of their operations. Their stories serve as a cautionary tale of a lucrative trade that thrived despite wildlife conservation laws, only to be linked to organized crime and drug trafficking. It is striking to note that many of the reptile traders, in their own words, claim to have been driven by passion for the animals, only to end up contributing to their exploitation.

Director Eric Goode brings his unique perspective to the storytelling, drawing parallels between the reptile trade and the darker aspects of human nature. His narrative meanders through the world of reptile enthusiasts, some of whom turned into illicit traders, and explores how this illicit trade is fueled by the darker corners of the global economy.

The series raises important questions about the treatment of animals and our responsibility towards protecting their welfare. The world of reptile trading, shrouded in secrecy and deceit, highlights the need for greater awareness and vigilance. "Monsters of God" leaves the audience questioning the nature of our relationships with animals and the devastating consequences of prioritizing human desires over their well-being.

Through its poignant storytelling and exploration of the reptile trade's ties to organized crime, "Monsters of God" offers a somber reflection on our collective values and our actions toward other living beings. Old Bob's story serves as a constant reminder of the harm inflicted upon animals when human interests are prioritized, often to the detriment of their well-being.

While the series takes a measured tone, it does leave room for reflection on the true costs of our actions. It challenges us to question our values and to seek greater understanding and respect for the natural world. The "Monsters of God" experience will undoubtedly leave viewers grappling with the dark reality of the reptile trade and the urgent need for change.

The true crime elements of the series are undeniably compelling, drawing the audience into the darker aspects of human nature. Goode's personal connection to the topic, having been an avid reptile collector in the past, raises questions about the line between fascination and exploitation. His narrative brings to the forefront the sinister world of reptile trading, forcing viewers to confront the consequences of our collective desires.

The series ends with Old Bob's fate, providing an ominous reminder of the fate that awaits animals in the reptile trade. The legacy of the reptile traders serves as a stark warning about the dangers of indulging in activities that prioritize human interests over the welfare of other creatures.

Writer and editor Sarah Mina Osman is based in Los Angeles and contributes to various publications. She shares a love for sloths and tacos, and her Instagram and Bluesky are available for readers to follow.